Yiddish Popular Theatre Tender

Grant agreement ID 948150Start date 1 October 2021End date 30 September 2026Overall budget 1 499 800 ObjectiveDYBBUK will uncover and explore the popular theatre that made up the daily cultural reality of the Jewish masses at the turn of the 20th century. It will crack open the textual body of remaining musical and dramatic manuscripts to the complete performances of this popular theatre. Amid a massive migration movement at the turn of the 20th century the Yiddish popular theatre prospered producing a staggering volume of entertainment consumed by millions of Jews. Most of this mass-appealing output was delegitimized by Jewish intellectuals as Shund trash a term that encompasses primitive plagiarized vulgar and worthless art. Consequently a valuable component of modern popular culture has been overlooked. DYBBUK will restore this neglected yet highly influential corpus of Yiddish popular theatre and make it available for our appreciation. Revising canonical cultural paradigms DYBBUK recognizes delegitimized artistic lowbrow theatre as a vital component in the fashioning of modernist culture. Focusing on the unexplored theatrical corpus of the two most prolific Shund authors Moyshe Hurwitz 1844-1910 and Joseph Lateiner 1853-1935 this project offers an integrative typological embodied and theoretical analysis of theatrical themes forms and practices. The Yiddish popular theatre played a crucial role in transporting cultural styles ideas and products. To untangle and understand the complexity and scope of this theatre this project devises a groundbreaking analytical and embodied toolkit for studying theatre history. We will incorporate into our analysis resources of various media and we will reenact a forgotten Shund performance in a practice-based research. In doing so DYBBUK will transform our understanding of popular theatre revealing it as a preeminent ethnographic and historical source for examining the sensual and experiential dimensions of theatre and the theatrical and cultural exchange of minorities with mainstream culture.